Wednesday, October 15, 2014

An artist who has not yet been mentioned here on the blog, in spite of numerous requests, thermodyn


An artist who has not yet been mentioned here on the blog, in spite of numerous requests, thermodynamics steam tables invitations and recommendations - Ethiopian / Canadian Abel Tesfaye with the musical aka The Weeknd. The Weeknd - which incidentally is pronounced more á lá "weakened" than "weekend" - operates in the genre PBR & B; a stylistic alternative to the "normal" R & B genre, the more "modern" production techniques and instruments dominate the soundscape. For Abel Tesfaye began the adventure two years ago, when he put all three mixtapes on the internet for free download. House of Balloons in March, Thursday in August and Echoes of Silence in December. During 2011 and 2012 was The Weeknd from being more or less unknown to be on everyone's radar and being called everything from "R & B'ens heir" to "the next Michael Jackson."
Trilogy brings together the three mixtapes under one roof, throwing three bonus tracks thrown in, and so have all of the numbers was a trip through the mix / master machine for this release, so it's all been refined and become a little sharper edge.
The good thing about The Weeknd and Trilogy ... is first and foremost and obviously his voice - how accurate can he sing! His falsetto vocals sit in the closet and it is quite obvious that you are dealing with an artist who has total control over his voice. "Wicked Games" is a brilliant example of how a singer can mesmerize his listeners through an entire song with a great vocal performance. "The Morning" which is my personal favorite, is wonderful example of a hell of a catchy chorus that can be heard almost countless times without being boring. "Valeria" is another thermodynamics steam tables highlight, where he sounds unmistakably like Michael Jackson, but also impress with its own sound. And then "High For This" also include, where he impressively tames a blast, electronic high-production with his vocals. Productions of The Weeknd's universe is generally far from the blast and the "big" sound. The main architects of the soundtrack, Doc McKinney and Illangelo, behave in simple, pared productions, which should ideally happen as little as possible and where efficiency must be created by simple effects. Atmospheric keys seems to be the only "must-have", and the good thing about this situation is that the productions never steal focus from the vocals, but back it up with melodic minimalism. Another thing I am quite crazy when it comes to The Weeknd's universe, thermodynamics steam tables how indifferent he is to format. The Weeknd is so blatantly commercial material, and his hits crying out to be heard by millions of people. I love, therefore, thermodynamics steam tables that there are numbers - and in fact many of them - both reach the six, seven and eight minutes of play length, and thereby fails any criteria to be radio material.
The bad thing about The Weeknd and Trilogy ... for me has a lot to do with the aforementioned productions. thermodynamics steam tables True, many of them very good, as written, but when everything is running at such a stripped-down plan that is the case, it becomes dangerous repetitive, and even after ten gennemlytninger I find it hard to put titles on most tracks, quite simply because they sound incredibly similar. Had they just sounded great, thermodynamics steam tables had all it's not been a problem that they sounded the same, but for me it quickly becomes a little too boring and sound extremely monotonous. The same unfortunately - even more so in fact - also applies to texts. It's about girls, parties, drugs and money, constantly and continuously with a depressive and almost unhappy undertone as partner. The Weeknd actually thermodynamics steam tables draw a picture of himself as a bit of a douche, if not a complete douche! On the one number he sings about unrequited love, and on the next to pull a bunch of strippers on in his room and take drugs and fuck all night. It's something nearly impossible to feel sorry for him as a person, despite the fact that there is whining a lot. In "House of Balloons / Glass Table Girls" he sings even how he holds a girl as a slave in his illusion that they are happy together. Cocaine is a hell of a drug! The big problem with the texts is that they are indeed not about anything other than sex, drugs and extravagance, and although the lyrics are not bad written, it's just simplistic and repetitive, and Trilogy carrier after all 30 tracks, and it is therefore many minutes having to hear about his nocturnal escapades, which really does not sound so cool back in the long run. I even get almost feel sorry for him when he "Valerie" sings: "I love you, I need you, I only want you / And nobody's going to know if it's thermodynamics steam tables true," if it's sad, I do not know what is ?!
So all in all ... we are dealing with a large album with 30 tracks, thermodynamics steam tables of which there are a good handful of obvious hits, but also a lot of music that find it hard to stand out as something "special", due to the little sexless thread in the productions. Can

No comments:

Post a Comment